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<channel>
	<title>Ian Barker &#187; contemporary</title>
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	<description>Poetry and prose</description>
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		<title>The first layer is size</title>
		<link>http://omahapoet.com/poetry/the-first-layer-is-size/</link>
		<comments>http://omahapoet.com/poetry/the-first-layer-is-size/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 13:58:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=741</guid>
		<description><![CDATA[The first layer is size. It seals the medium ready for the magic. Then comes a sketched outline. Shapes, tentative at first; A false start or two or more. An expression that doesn&#8217;t Quite emerge right from scurrying lines is &#8230; <a href="http://omahapoet.com/poetry/the-first-layer-is-size/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The first layer is size. It seals the medium ready for the magic.<br />
Then comes a sketched outline. Shapes, tentative at first;<br />
A false start or two or more. An expression that doesn&#8217;t<br />
Quite emerge right from scurrying lines is smudged back and<br />
Pulled again from the canvas by spidery lines and swirls.<br />
This is the second layer, everything is built on this.<br />
How you sketch this layer is vital. Skimp on the effort<br />
And it doesn&#8217;t matter how hard you work on the<br />
Later layers, they&#8217;ll always be lacking. Something<br />
Will bother you when you see those sort of pictures<br />
Hanging around in shops and factory staff rooms. A gut<br />
Instinct that the basic sketch was not done right.<br />
But a picture on which loving time has been spent,<br />
Where the painter took the canvas and drew and<br />
Redrew coaxing the strokes to represent what they<br />
Were meant to be, well that&#8217;s plainly beautiful to see.<br />
Artists; go home to your canvases and rescue them<br />
From doleful neglect in tobacco-stained houses<br />
Where they will languish splashed by a momentary<br />
Escape of alcohol and the stickiness of cocktails<br />
On a happy hour Friday or lie in sodden resignation under<br />
Cardboard in a Detroit gutter surrounded by<br />
The broken window glass of disappearing<br />
Factory routine twelve hour grind and time<br />
And a quarter Saturdays. A good outline, as<br />
A framework, helps make your creations<br />
Hang on the right walls and be seen in the<br />
Company of work by successful artists.<br />
Bad things still mishap a well-executed sketch<br />
But a good strong starting layer is the rock<br />
From which the potential can rise.<br />
Artists; go home to your canvases and<br />
Pour your love, experience and skill in to<br />
The lines of the first sketchy layer.</p>
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		</item>
		<item>
		<title>April</title>
		<link>http://omahapoet.com/poetry/april/</link>
		<comments>http://omahapoet.com/poetry/april/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 15:24:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[assonance]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=739</guid>
		<description><![CDATA[This is a poem written for those who study the mechanics of poetry as an art looking for signs of rhyming, of assonance, alliteration, onomatopoeia, homophones and anaphora &#8211; this poem has all of these&#8230;and more. Hint of flake and &#8230; <a href="http://omahapoet.com/poetry/april/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>This is a poem written for those who study the mechanics of poetry as an art looking for signs of rhyming, of <a href="http://en.wikipedia.org/wiki/Assonance" target="_blank">assonance</a>, <a href="http://en.wikipedia.org/wiki/Alliteration" target="_blank">alliteration</a>, <a href="http://en.wikipedia.org/wiki/Onomatopoeia" target="_blank">onomatopoeia</a>, <a href="http://en.wikipedia.org/wiki/Homophone" target="_blank">homophones</a> and <a href="http://en.wikipedia.org/wiki/Anaphora" target="_blank">anaphora</a> &#8211; this poem has all of these&#8230;and more.</em><br />
<BR /><br />
Hint of flake<br />
and here<br />
and here<br />
from high: a squadron of<br />
Canadian angels who<br />
in formation we hear<br />
honk honk honk herald the<br />
coming of the thing<br />
and beat the flakes from the gray<br />
with wing<br />
and bounce on unseen drafty sky.</p>
<p>And through the cold coat of<br />
Winter wear, a greener bud<br />
begins on branch that dares<br />
to hope for warmth and better light.<br />
Here, here and here<br />
there lifts a brave blade of<br />
grass, defies threats of frost<br />
and skies overcast by monochrome bright<br />
Sun shaded from sight.</p>
<p>Then tumbles flake into warm drip<br />
of life and wakens and washes<br />
the dust from daffodil eyes<br />
who poke a cautious tip through<br />
earthy blankets<br />
first one there, then there, now<br />
here and here and here and here.</p>
<p>And then a yellow strikes upon the<br />
V of beating wings, and kisses<br />
the sleeping bark awake on trees<br />
who unwrap their groggy arms<br />
and stretch towards the rays<br />
with greening finger leaves<br />
and catkins and stickybuds<br />
and squirrels who agitate<br />
and chatter<br />
and bees who sing a welcome again<br />
to tulips who rush to the surface<br />
to greet them<br />
and rabbits and foxes who chase<br />
and soon we two join too like lost peoples<br />
returned from long dark adventures, emerged,<br />
to add to the business bustlings of<br />
Spring.</p>
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		<item>
		<title>On a hotel room</title>
		<link>http://omahapoet.com/poetry/on-a-hotel-room/</link>
		<comments>http://omahapoet.com/poetry/on-a-hotel-room/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 15:46:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[alliteration]]></category>
		<category><![CDATA[assonance]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=733</guid>
		<description><![CDATA[Just a quick reminder to those who are unsure or, on reading this believe I write from experience: my poetry comes from imagined fiction &#8211; I make stuff up &#8211; I am not planning on buying a motorbike or having &#8230; <a href="http://omahapoet.com/poetry/on-a-hotel-room/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>Just a quick reminder to those who are unsure or, on<br />
reading this believe I write from experience: my poetry<br />
comes from imagined fiction &#8211; I make stuff up &#8211; I am<br />
not planning on buying a motorbike or having fights with<br />
my wife (although I am surely ripe for a mid-life crisis)</em></p></blockquote>
<p><strong>On a hotel room</strong><br />
An unsteady squint strains at these reeking walls,<br />
Tar-stained from the puffing of road-warrior nightjars<br />
Who drank deep on drams of their superior&#8217;s wishes<br />
And tormented their second-best wives<br />
With lies that they both sensed the taste of<br />
On tongues which waggled a tarantella dance around<br />
The sharp bull horns of cheating, his bright fighter&#8217;s<br />
Cape of platitudes furling around him as her doubts, fears<br />
Of betrayal stamped the ground and snorted a steamy<br />
Spittle that shook the doors of their marriage.</p>
<p>Another night death-gripping the bedcovers with her<br />
Suspicions. Another knocking his rocks against<br />
Bell-ringing glass and sucking the brown burn<br />
Of bitterness drowning as it washed resentment<br />
From teeth electrified by edge against edge grinding.<br />
He has no reserve of desire to drag<br />
Doing The Right Thing along with him. There are<br />
True selves to find in motorbike trips and<br />
Many destinies thwarted by coming home on<br />
Time and painting the bedroom walls white.</p>
<p>He claims, by example, better use for tomorrow can be made by<br />
Hung-over vikings who arrive red-eyed amongst<br />
The enslaved and clocked and desk-bound.<br />
His warrior clothes strewn with a confetti of<br />
A fixed agenda torn to shreds stuck on<br />
With cock-sure machismo spirit. The gaunt evidence<br />
Written for posterity across the deepening creases<br />
Of his buffalo-tongue face betrays the wear and<br />
Fraying as his identity and purpose bounce away from him<br />
Into the tragic pile of Things He Could Have Done.</p>
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		<item>
		<title>Five guys</title>
		<link>http://omahapoet.com/poetry/five-guys/</link>
		<comments>http://omahapoet.com/poetry/five-guys/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 18:58:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=731</guid>
		<description><![CDATA[Five guys rollin&#8217; in a motor burn up road like it don&#8217;t last. Big bass rockin&#8217; on the radio I hitting the wheel to fake a drum thump. Sunshine burnin&#8217; through the window toppin&#8217; up tans to staccato crunk. We &#8230; <a href="http://omahapoet.com/poetry/five-guys/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Five guys rollin&#8217; in a motor<br />
burn up road like it don&#8217;t last.<br />
Big bass rockin&#8217; on the radio<br />
I hitting the wheel to fake a drum thump.<br />
Sunshine burnin&#8217; through the window<br />
toppin&#8217; up tans to staccato crunk.</p>
<p>We all starin&#8217; at the fender we followin&#8217;<br />
lip bit focus from the fella who drives.<br />
Davey &#8216;im a snooze and he sweatin&#8217; up a storm<br />
the others shift position like they on hot rocks.</p>
<p>Five guys packed in and all packin&#8217;,<br />
colors on our backs, full-on inked and all that.<br />
Five guys settin&#8217; on a mission<br />
teach a guy a lesson he&#8217;s really gonna get.<br />
Five guys flexing up their muscles;<br />
tonight: click-click bang-bang respect.</p>
<p>So we reach a shady corner<br />
and see &#8216;im slouchin&#8217; like a drunk.<br />
Waistbands ripple as we pull our metal out<br />
flashes of munitions and pop pop pop;<br />
sloucher hits the deck and his baby-momma drops.<br />
There&#8217;s a screamin&#8217; and a wailing&#8217; as we screech away fast<br />
this lesson is a lesson that&#8217;s really gonna last.</p>
<p>We whoopin&#8217; and a yellin&#8217; coz we done our bit o biznizz,<br />
9 mil teachers smokin&#8217; up the car.<br />
We&#8217;re slappin&#8217; and fist bumpin&#8217; and biggin&#8217; up ourselves<br />
whilst the driver stamps the pedal and he turn his knuckles white.</p>
<p>Five guys start the path to penitentiary<br />
where the tats are tears in the corners of your eyes<br />
but five guys only got one focus<br />
coz five guys happy with their retribution night.</p>
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		<item>
		<title>Threads</title>
		<link>http://omahapoet.com/poetry/threads/</link>
		<comments>http://omahapoet.com/poetry/threads/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 20:50:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=723</guid>
		<description><![CDATA[Inspired by the work of Nancy Lepo There are dark threads that weave across. A stroke that arcs a path, a flick that hints a stream, shadows pulled from where they hid in amongst the streaks, or a quiver caught &#8230; <a href="http://omahapoet.com/poetry/threads/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.hotshopsartcenter.com/artists/101b.html" target="_blank"><em>Inspired by the work of Nancy Lepo</em></a></p>
<p>There are dark threads that weave across.<br />
A stroke that arcs a path, a flick that<br />
hints a stream, shadows pulled from where they<br />
hid in amongst the streaks,<br />
or a quiver caught on lonely cheeks,<br />
a shattered glimpse of a man on the moon:<br />
all a connection between my thoughts and you.</p>
<p>A silky paper that&#8217;s framed with jet,<br />
flows of ink that dripped from an<br />
unclenched mind into the right places.<br />
It&#8217;s not where the pen touches &#8211; the art is<br />
how you join the spaces.</p>
<p>So as you lean in and wrinkle your nose<br />
at the title I chose or the price that gets<br />
placed on a little bit of me; breathe in<br />
and smell the scents of the translation; the flower<br />
that unfurled inside a mind&#8217;s eye, expressed as<br />
&#8220;Pen and ink by Nancy Lepo, $200&#8243;.</p>
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		<title>So this is what we&#8217;ve become</title>
		<link>http://omahapoet.com/poetry/so-this-is-what-weve-become/</link>
		<comments>http://omahapoet.com/poetry/so-this-is-what-weve-become/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 13:06:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=630</guid>
		<description><![CDATA[So this is what we’ve become. Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm &#8230; <a href="http://omahapoet.com/poetry/so-this-is-what-weve-become/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>So this is what we’ve become.</p>
<p>Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm down”.</p>
<p>A plastic-propped peep into a better life where everyone is shiny and the right machine can make you God’s own barista without even having to watch the accompanying DVD box set.</p>
<p>All on the never never.  ’til the never becomes the now.</p>
<p>In a surge of nature versus big business our crude seas wash over us in an endless tide of promises and slicked birds who drown in the failures of our present way of life.</p>
<p>In the background; an urgent pitch to call now and pay nothing for twelve months.  A lesson unlearned.</p>
<p>In the foreground; stands a poet working out the best way to perform the Heimlich maneuver on a dog whilst he waits for his toast to turn tan.</p>
<p>So this is what we’ve become.</p>
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		<title>Turtle beach</title>
		<link>http://omahapoet.com/poetry/turtle-beach/</link>
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		<pubDate>Wed, 12 May 2010 17:57:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[assonance]]></category>
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		<category><![CDATA[emotional]]></category>
		<category><![CDATA[powerful]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=620</guid>
		<description><![CDATA[Remember that day, on Turtle Beach, living fossils that scourged the sand; (powder crystals, white like they&#8217;re bleached) with lumpen claws which, in a slow and careless wave managed to brush aside Darwin&#8217;s great plans. Beaks shoved forward, scaly necks &#8230; <a href="http://omahapoet.com/poetry/turtle-beach/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Remember that day, on Turtle Beach,<br />
living fossils that scourged the sand;<br />
(powder crystals, white like they&#8217;re bleached)<br />
with lumpen claws which, in a slow and careless<br />
wave managed to brush aside<br />
Darwin&#8217;s great plans.</p>
<p>Beaks shoved forward, scaly necks stretched,<br />
with mouths gaping, snouts snapping with an echoing snip from<br />
the effort of land crawling just to lay their eggs with<br />
eye-scrunching strain in hopeful clutches.</p>
<p>We stood and marveled with our cameras,<br />
all red eye flashes and whooping fingers,<br />
whilst the tide dragged at the night-time shore<br />
trying to peel away stragglers from the pack of<br />
unwary voyeuristic foreigners.</p>
<p>The musical swish of the wind-rattled palm trees,<br />
made the bobbing fishing boats dance, painted in the yellow<br />
ochre of candle lanterns that perched<br />
like watchmen on the bows where it brushed just<br />
enough of their pilots to make them appear like ghosts<br />
dipping into the blackness as they<br />
flicked out their nets<br />
or dragged wicker pots from the stern.</p>
<p>A world away from this evening; the toes that<br />
joyed at the sucking of sand dampened by the<br />
warm foam of a receding sea curl now into the<br />
unfriendly nylon pile of evening news and TV dramas,<br />
readying for sleep before the chill of<br />
tomorrow&#8217;s commute and office politics of<br />
the punch in punch out, don&#8217;t-be-late<br />
warning-mornings and the school runs<br />
amongst the young mums parking heedlessly.</p>
<p>Funny how we&#8217;re all just turtles on turtle beach.</p>
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		<title>I often pause to think of others</title>
		<link>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/</link>
		<comments>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:33:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
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		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=598</guid>
		<description><![CDATA[Click this text to hear Alex read this poem I often pause to think of others. Like the couple on Beak Street I saw leaning in against the March wind, pinching still-fitting 1970&#8242;s smeary gabardine mackintoshes around them like over-stuffed &#8230; <a href="http://omahapoet.com/poetry/i-often-pause-to-think-of-others/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/Ioftenpausetothinkofothers.mp3">Click this text to hear Alex read this poem</a></p>
<p>I often pause to think of others.<br />
Like the couple on Beak Street I saw leaning<br />
in against the March wind, pinching<br />
still-fitting 1970&#8242;s smeary gabardine<br />
mackintoshes around them like over-stuffed<br />
sausage casings.</p>
<p>He; gaunt and with that sunken on-the-way<br />
from this life look, she; rotund and<br />
waddling with cheap home perm flattened<br />
under a clear plastic penny market rain<br />
hood whilst her free hand drags a<br />
shopping trolley between them both like<br />
an unruly and unwilling square tartan-coated pet.</p>
<p>She chose to wear those opaque tan tights<br />
and they are so cliche, aren&#8217;t they,<br />
with her seen-better-days blue brogue comfortable shoes<br />
which shuffle shuffle and scuff along<br />
next to the groceries and the gray nearly-ghost.</p>
<p>He looks like a man who has resolved to<br />
hang on a day longer if he can, for her<br />
sake, or for someone&#8217;s sake if not hers.<br />
I&#8217;m sure it&#8217;s not for his.</p>
<p>His gaping-mouthed breath, like it<br />
must sound loud enough to startle although<br />
the bus window and the rattle of empty seats<br />
mask it from me, sucks his cheeks in and out<br />
with the effort and I see his eyes scrunch<br />
up unseen as he keeps up her pace which he taps<br />
out with a walking stick, stomp, stomp,<br />
stomp like he is grinding out cigarette butts<br />
with every step.</p>
<p>To where and why do they walk so painfully<br />
in this bouncing rain?  What are their<br />
names?  Is this yesterday&#8217;s sour wine of<br />
relationships I see through the dragon puff<br />
of diesel exhaust or a glorious culmination?<br />
Or perhaps mainly their reality, unpoetic and<br />
unremarkable except to someone like me who<br />
often pauses to think of others.</p>
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		<title>Smoke</title>
		<link>http://omahapoet.com/poetry/smoke/</link>
		<comments>http://omahapoet.com/poetry/smoke/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 16:05:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<description><![CDATA[Sadhu Ronnie gapes and tokes, orange-robed with nut-brown eyes. Tilika vermillion riding his brow. Particles of swhirl; white ashey smoke, rest, hanging, untouching the upturned hand, pulsing to the ebb and flow breath; not controlled, not free of will. Liquid &#8230; <a href="http://omahapoet.com/poetry/smoke/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Sadhu Ronnie gapes and tokes, orange-robed with nut-brown<br />
eyes.  Tilika vermillion riding his brow. Particles of swhirl;<br />
white ashey smoke, rest, hanging, untouching the upturned hand,<br />
pulsing to the ebb and flow breath; not controlled, not free of will.  </p>
<p>Liquid solid flows with the puff, ochre stripes washed<br />
grey with the powdering of divinity.  The lines of his thoughts<br />
across his brow, deep and drifting, running over to wash the beckoning<br />
fingers of smoke&#8217;s fate, launching to drift on torrid<br />
currents of time and fickle happenings, thrown back and<br />
forth further and far from the loud &#8220;haaaaa&#8221; of the exhale.</p>
<p>Their prose and statuary, towering in their microscopic<br />
magnificance amongst the whisps of their fleeting existence<br />
unseen by those who did not look for them, breathed in to<br />
be a part of those who did not make them; even those who<br />
did not pause to question or care if they were likely to exist.</p>
<p>If, at that moment He should clap his hands or<br />
spin to attend to some other diversion they might<br />
scatter in the draught.  It&#8217;s a fact; you can&#8217;t unscatter<br />
smoke.</p>
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		<title>Ice Scraper</title>
		<link>http://omahapoet.com/poetry/ice-scraper/</link>
		<comments>http://omahapoet.com/poetry/ice-scraper/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 20:44:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<description><![CDATA[Click this text to hear Alex read this poem I woke gently, but all of a sudden today to the sound of a cartoon voice singing rhymes in a fake Manhattan accent. The dark is hollow, lit by the sound &#8230; <a href="http://omahapoet.com/poetry/ice-scraper/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/ice-scraper.mp3">Click this text to hear Alex read this poem</a></p>
<p>I woke gently, but all of a sudden today to<br />
the sound of a cartoon voice singing rhymes<br />
in a fake Manhattan accent.</p>
<p>The dark is hollow, lit by the sound of my snoring<br />
dog which bounced off just-familiar walls and<br />
rapped against the ice on the windows.  A<br />
rumbling echo-locator beacon mapping the room.</p>
<p>The Omaha cold has a smell.  An aroma that you<br />
don&#8217;t get back in the nooks and crannies<br />
of British suburbia.  Over there the cold has an odour<br />
of rotten wool or skanky grey cardboard.  But here,<br />
here it is&#8230; incisive.  Like the edges of<br />
a pattern cut into a good quality glass.<br />
Etched.  Purposeful.  It tricks you like this.</p>
<p>And here the wind doesn&#8217;t nudge you about and<br />
flick playful flakes at you; it pinches your ears and<br />
slaps the raw open palm of its hand full and hard<br />
against your sore cheeks and tweaks the end of<br />
your nose to make it drip drip drip sniff.  </p>
<p>Home-coming is the sound of ruddy-faced people<br />
knocking the life back into gloved hands followed by<br />
the communion of banging boots free of snow that<br />
doesn&#8217;t melt.  Watching are hurrying snow plows<br />
littering dirty white drifts at every road junction;<br />
sullen funeral pyres where Nebraska&#8217;s December<br />
buries the bones of our long sweet lazy summer.</p>
<p>Up, with a cuddle for the roused snorer and a<br />
pat on the head for Toto&#8217;s double before I stitch<br />
myself into my great galumping snow boots and<br />
ram my &#8220;ear hat&#8221; down hard to thwart frostbite&#8217;s<br />
chances.  Fingers straight and stiff in waterproof<br />
gloves; required, essential &#8211; skin dies here in minutes<br />
if you let the swirl of the wind start to snack on it.  I kiss,<br />
check, keys, check and head Oates-like to the car.</p>
<p>Half-light twilight and the crackle of trees flexing<br />
nakedly in the chilling breeze that bites.  The blipper<br />
clunks the door locks and, with an OCD glance for the<br />
right park light, full red dial, full blast fan on; both<br />
heaters set to beat the ice away from the poor<br />
shivering windows.</p>
<p>So I begin to scrape away winter from your windshield.<br />
Methodically because that&#8217;s how my mind likes to do<br />
these things, the way I&#8217;m designed.  Square scrapes,<br />
neat edges, top to bottom.  The sound of the blade<br />
bounces off the garages and walls.  A rasping, juddering<br />
staccato cackle of frozen resistance. No bird sounds,<br />
no traffic noise; just me and the scraper and&#8230;<br />
that&#8230;<br />
damn&#8230;<br />
stubborn&#8230;<br />
frost, thicker than the glass I&#8217;m hacking it from.</p>
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